I love Big Bird.
We go way back, as far into my childhood as I can remember. Big Bird, Bert and Ernie, and the crew at Mr. Rogers’ Neighborhood were among the first who ever spoke to me in English.
Oh, there were others: Tennessee Tuxedo and Chumley, Underdog and, of course, Woody Woodpecker and Tom and Jerry. But though I still have a taste for over-the-top cartoon violence (really, is there anything funnier than a chubby-cheeked mouse setting fire to an egotistical cat’s tail?), it was the gentle folks over at PBS who taught me my numbers, how to sound my vowels, and how to pronounce an “r” — in English. And PBS’ molding of my good character hasn’t ended. I’ve spent countless hours with cooking shows, classical music concerts, science specials, documentaries and plenty of news shows on both PBS and NPR.
Trust me, you’re reading the words of a true fan. And as a true fan I have to say: The Corporation for Public Broadcasting should give up its government funding.
In the days since Mitt Romney invoked the name of Big Bird to make the point that the country has better things to spend its money on than “Sesame Street,” I’ve read news articles detailing what a small, insignificant part of the federal budget the Corporation for Public Broadcasting’s $445 million allotment is. In only a few places will you find the corresponding statistics that PBS gets only 15 percent of its budget from government funds and NPR just 2 percent. And if you look hard enough, you’ll learn that, far from being in danger of going out of business, the Sesame Workshop, the nonprofit organization that produces “Sesame Street,” is a successful financial venture with $130 million in revenue. A little over a third of this revenue is derived from licensing Elmo, Big Bird and other PBS Kids favorites through clothing, accessories and toy sales.