In the new R-rated comedy “Bad Moms,” Mila Kunis’ character, Amy Mitchell, commits a mortal maternal sin: She arrives at the school bake sale, an event free of gluten, sugar and any semblance of joy, with store-bought doughnut holes.
Coping with a clueless boss at work and a helpless husband at home, Amy has given up trying to attain an idealized version of motherhood, embodied in the film by a judgmental, type-A, PTA president played by Christina Applegate.
In a pop culture world where almost anything goes in terms of foul language, nudity, alcohol and drug use, imperfect moms are one of the last taboos. Which is why the hedonistic behavior on display in “Bad Moms” can be so startling.
“I can’t think of a more realistic depiction of moms than this movie, and that’s a little sad,” said Kristen Bell, who plays another beaten-down “bad mom” and co-conspirator in Amy’s campaign to reclaim some chill in the film, which opened Friday. “When you put the word ‘mom’ in there, this certain set of characteristics subconsciously infiltrates your mind. You enter this realm of martyrdom. People are scared to write mothers who take time for themselves.”
That reluctance seems to be changing — “Bad Moms,” written and directed by “Hangover” filmmakers Jon Lucas and Scott Moore, is one of a handful of recent films and TV shows that push back at mom shaming. With an empathetic view on modern motherhood, these films and shows often reflect the anxieties of women stretched to the limits by an era of helicopter parenting, tiger moms and Pinterest-ready perfectionism.
Hoping that moms just want to have fun — at least occasionally — distributor STX has been marketing “Bad Moms” as an opportunity for mothers to have an R-rated night out, partnering with brands such as Uber, Match.com and the lingerie line Cosabella. TV ads for the film have a “Hangover”-like feel, emphasizing debauchery and clearly making the judgmental moms into the villains. It stars relatable women such as Bell, Applegate, Jada Pinkett Smith and Kathryn Hahn acting in unfamiliar ways.
In “Tallulah,” a film with a more serious tone streaming on Netflix and in theaters since Friday, the title character, a young woman played by Ellen Page, steals a baby from an irresponsible yet compassionately drawn mother named Carolyn, played by Tammy Blanchard.
After “Tallulah” premiered at the Sundance Film Festival in January, writer-director Sian Heder was surprised to be accosted by women who said they connected to Carolyn, the “bad mom,” a supporting character who drinks too much, has an affair and doesn’t even seem to know how to diaper her daughter.
“After the premiere I became this weird priest hearing these bad-mommy confessions, and I realized all moms feel like failures,” said Heder, who is a mother of two. “There’s a disconnect between the role of the mother as it’s presented in the movies and what it actually feels like to be a mom, the amount of guilt and shame you put on yourself.”
‘Ripple effect’
On TV, the challenges faced by flawed modern moms are often played for laughs, as in the satire “Odd Mom Out,” now airing in its second season on Bravo, where writer and star Jill Kargman is a woman warily navigating the wealthy mommy clique of New York’s Upper East Side, or on “Mom,” a CBS show beginning its fourth season this fall, which centers on the lives of a mother-daughter duo of recovering alcoholics played by Anna Faris and Allison Janney (Janney is also a stressed but sympathetic mom in “Tallulah”).
Not everybody thinks these flawed screen models of motherhood are a good idea. After the “Bad Moms” trailer premiered, showing Kunis, Bell and their co-stars drinking, partying and seeking other escapes from maternal responsibility, Taylor Baehr, a writer for the Christian movie website Movieguide, posted a Youtube video protesting the film.
“When I see media portrayals of moms running from their children, it’s hard for me to watch,” said Baehr, a mother of one with another child on the way. “It puts out this message that decisions you make as an individual mom don’t have a ripple effect on your family.”
Historically, moms on screen who aren’t wholly self-sacrificing are often portrayed as self-absorbed villainesses like Faye Dunaway’s abusive Joan Crawford in “Mommie Dearest” or Mo’Nique’s dysfunctional matriarch in “Precious,” archetypes that have roots centuries old, as Heder recently discovered while reading to her children.
“The idea of the wicked mom is so prevalent in fairy tales,” Heder said. “But the evil father doesn’t really exist.”
Social media standard
Over the years, women have vented their maternal anxieties in popular culture — cartoonist Roz Chast’s depictions of bad moms in the pages of the New Yorker became so popular you can now buy them as trading cards. (Card No. 17: Gloria B. “promised to take daughter to mall after school and then didn’t.”)
But in 2016, there is a new standard for women to measure themselves against and find themselves lacking — their friends’ impeccably curated social media profiles. Heder noted that as she was groggily editing her movie and writing for “Orange Is the New Black” while caring for two children younger than 2, her photographer husband was sharing idyllic-looking family photos on Facebook.
“On social media, my mom friends are seeing this super woman, this image of perfection,” Heder said. “The thing that they’re not seeing is that I’m almost traumatized by leaving my toddler to go to set. Or that I pulled over my car on the way to work and took a 45-minute nap.”
In writing “Bad Moms,” Lucas and Moore, both fathers, said they looked to their wives, who were trying to live up to unrealistic expectations about what motherhood looks like.
“So often (in movies and TV shows) the moms are just rolling their eyes at the dads,” Lucas said. “The moms we know are way more rock and roll than that.”
The film shows a range of mom types and stars, because its six leads are actresses who are mothers themselves — Kunis, who plays a fed-up working mom; Bell, an underappreciated stay-at-home mom; Hahn, a free-spirited single mom; Applegate, an overcompensating perfect mom; Jada Smith, a judgy mom; and Annie Mumolo, a clueless mom.
“I really appreciated that this was not a story about a mom who was trying to be better and in the end she got better,” Bell said. “It’s about the idea that we are all on the same team as moms and we have let this idea of division infect us all.”
In test screening audiences of moms, Lucas and Moore said they were surprised to find that many women actually wanted more maternal misbehavior in the movie.
“We were concerned some of the stuff was gonna be too raunchy,” Lucas said. “We were pleasantly surprised that moms wanted us to push the raunch. They were disappointed there wasn’t more male nudity. One thing we heard from several women was, ‘People don’t make movies like this for us.'”
