As Disney returns to the sea nearly two decades after “The Little Mermaid,” the animation studio’s newest heroine feels a whole world away from Ariel.
In the 1989 undersea film, of course, the young heroine pines for a man from afar, literally losing her voice in the process. In the new “Moana,” by contrast — which also, like “Mermaid,” includes Ron Clements and John Musker as directors — the seafaring title character embarks on a Polynesian journey of self-discovery that does not involve a romantic lead.
Moana, in other words, is no Disney princess.
“Disney does have a legacy of female heroines,” says Bill Schwab, the film’s art director for characters, “but I feel like Moana is unique.”
Historically, of course, Disney’s classic storytelling formula for its animated heroines has included landing a love interest, from “Sleeping Beauty” and “Cinderella” right up through “Frozen” and “Tangled.” To find a strong Disney princess who is an exception, you have to look toward such films as Pixar’s “Brave.”