In the 16 years since Gorillaz released its self-titled debut album, the virtual, alternative hip-hop band’s co-creators, Blur musician Damon Albarn and illustrator Jamie Hewlett, have wrangled an impressive, wildly diverse roster of music’s biggest talents into their genre-defying orbit. A freewheeling spirit of experimentation colors the band’s work, and over a handful of boundary-pushing albums everyone from Lou Reed and Snoop Dogg, to Bobby Womack, MF Doom and members of the Clash have been charmed by its allure.
Now a few months removed from the release of “Humanz,” the band’s first new album since 2010 — a typically bold effort featuring intrepid contributions and unexpected artistic combos, most notably Mavis Staples and Pusha T on the moody “Let Me Out” and Carly Simon and Colombian-American indie-pop singer Kali Uchis on “Ticker Tape” — Albarn says he’s come to view the process of assembling a Gorillaz album as resembling a contemporary courtship process.
“There’s almost an internet dating aspect to it,” he says with a laugh when calling from his London studio one afternoon. He recalls playing acoustic guitar for Staples and appreciating her open-mindedness to working on his brand of music. “She’s extraordinary really,” he says.
“When I meet someone I don’t just play them one song,” he adds of his typical method of selling another artist on the idea. “I play them all the stuff that I’ve got.”