Spirituality has been a cornerstone of Bob Dylan’s music.
Matters of God and faith have infused his material regularly, from early songs such as “With God on Our Side,” in which he questioned humankind’s ability to justify most any behavior according to one’s interpretation of religious beliefs, right through “Duquesne Whistle” on 2012’s “Tempest,” when he confessed, “I can hear a sweet voice gently calling/ Must be the Mother of our Lord.”
Yet most fans and critics alike were flummoxed in 1979 when he released “Slow Train Coming,” the first of a trio of albums that were immersed in Christian imagery and scriptural references.
That period, which continued with “Saved” in 1980 and “Shot of Love” in 1981, is one of the most polarizing of his career.
Yet it’s an era his record label is exploring in-depth in “Bob Dylan: Trouble No More — The Bootleg Series Vol. 13/1979-1981,” coming Nov. 3.