By all accounts, 2012 was supposed to be Ava DuVernay’s year. Her breakout sophomore feature, “Middle of Nowhere,” nabbed best director at Sundance and bountiful critical praise. But as the film’s male lead David Oyelowo can attest, there was still a struggle.
“There were other directors who were of a different gender and different race, who went on to great things immediately after their films had done the same (festival) route,” he said. “Ava was not getting the phone calls — not from agencies, TV channels, studios or other production companies.”
Five years later — after the pair reunited on the Oscar-nominated best picture entry “Selma” — DuVernay is an in-demand filmmaker responsible for both the hit TV series “Queen Sugar” and the upcoming big-budget Disney feature “A Wrinkle in Time.”
We spoke to Oyelowo about DuVernay then and now.
What comes to mind when you think of “Middle of Nowhere”?
We made that film for $200,000, very minimal resources. I was playing a bus driver, and we had this bus that really should’ve been condemned. It barely went and we were driving this thing around South-Central L.A.