National Film Registry adds 25

When director Ang Lee set out to make “Brokeback Mountain” in 2005, he couldn’t have anticipated the enduring hold the film would have on the American consciousness.

“I didn’t intend to make a statement,” he said in an announcement of the 25 titles selected this year for the Library of Congress’ National Film Registry. “I simply wanted to tell a purely Western love story between two cowboys. To my great surprise, the film ended up striking a deep chord with audiences.”

The film — which stars Jake Gyllenhaal and the late Heath Ledger as a rodeo cowboy and a ranch hand caught in a tortured, 20-year-long affair — was inducted last week along with milestone titles ranging from Disney’s animation classic “Cinderella” to Stanley Kubrick’s horror perennial “The Shining.”

Films selected for preservation must be at least 10 years old, which makes the 13-year-old “Brokeback Mountain” the newest to be included in the registry.

“The main priority is to show the diversity of motion pictures,” Librarian of Congress Carla Hayden said. “We want people to have an appreciation of recorded images and their impact on our culture and our history.”

Each year, the National Film Registry chooses 25 of America’s most influential films that speak to the “cultural, historic and aesthetic importance” of the nation’s film heritage. The 2018 class of films span 107 years and multiple genres and brings the number of films in the registry — now in its 30th year — to 750.

Steven Spielberg’s blockbuster classic “Jurassic Park” (1993), James L. Brooks’ newsroom dramedy “Broadcast News” (1987) and Kasi Lemmons’ “Eve’s Bayou” (1997) were also among the more contemporary films included in the 2018 class.

“It’s such an honor to return from production on my fifth film, ‘Harriet,’ to find that my first, ‘Eve’s Bayou,’ is being included in the National Film Registry,” Lemmons told the NFR. “As a black woman filmmaker it is particularly meaningful to me and to future generations of filmmakers that the Library of Congress values diversity of culture, perspective and expression in American cinema and recognizes ‘Eve’s Bayou’ as worthy of preservation.”

“It shows a segment of American culture that hadn’t been portrayed in the motion picture medium that much,” Hayden said of her decision to include the film. “And it had critical acclaim as well as was popular.”

This year’s class of films is notable for its diversity. In addition to “Eve’s Bayou,” a 29-second silent film depicting black people kissing was inducted. The 1898 short titled “Something Good — Negro Kiss” is the earliest known footage of black intimacy depicted onscreen.

“Smoke Signals” (1998) — a rare title from a Native American filmmaker, Chris Eyre, which was a sleeper success on the indie film circuit — and animator Ayoka Chenzira’s “Hair Piece: A Film for Nappy-Headed People” (1984) were also included in the 2018 class.

“For my independently produced animated experimental film to be included in the National Film Registry is quite an honor,” Chenzira told the NFR. “I never imagined that ‘Hair Piece’ would be considered to have cultural significance outside of its original intent, which was a conversation and a love letter to black women (and some men) about identity, beauty and self-acceptance in the face of tremendous odds.”

“There are very few animated films on the registry,” Hayden said. “There are only about two dozen out of 750.”

Hayden makes the annual selections after conferring with members of the National Film Preservation Board and library specialists. Their selections take into consideration the more than 6,300 titles nominated by the public.