NEW YORK — Here, again, is Johnny.
Our glimpses of Jack Torrance are fleeting in Michael Flanagan’s “The Shining” sequel, “Doctor Sleep,” but Stanley Kubrick’s colossal 1980 horror film is seldom out of mind, or out of frame. Even that ax is back. Adapted from Stephen King’s 2013 book, “Doctor Sleep” shifts the story to the tricycle-riding tyke of “The Shining,” Danny Torrance (Ewan McGregor), now grown and dealing, understandably, with a few residual psychological issues from his childhood stay at the Overlook Hotel.
Yes, Hollywood’s insatiable search for new iterations for old intellectual property has wound its way, like the Torrances’ car meandering up the mountain road, to the House of Kubrick. It’s so overwhelmingly a misguided mission that you want to shout, “Don’t go in there!” And yet “Doctor Sleep” careens right ahead, recreating Kubrick shots, casting lookalikes to replay his scenes, refilling the elevator with blood and vainly trying to recapture some of the eerie majesty of “The Shining.”
Maybe I’m wrong but I suspect even those who don’t deeply appreciate Kubrick’s movies will feel a little icky about such a classic being re-engineered, its hallowed halls reanimated like a defunct amusement park.
“Doctor Sleep” posits the question everyone has been nursing since “The Shining” first greeted audiences: What if the story kept going, only we added psychic vampires in top hats?