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‘Grey Fox’ charms in digital restoration

By Michael Phillips, Chicago Tribune
Published: June 5, 2020, 6:04am

Some films warrant the 4K digital restoration treatment more than others. The 1982 Phillip Borsos charmer “The Grey Fox,” streaming Friday by way of Music Box Virtual Cinema, deserved it, as anyone with eyes can tell you.

It’s a honeyed, turn-of-the-century evocation of how the true-life “gentleman bandit” Bill Miner operated, first as a stagecoach robber in the 19th century and then a train robber in the 20th. Richard Farnsworth plays Miner, and while Farnsworth is the movie, there’s a movie there to support what he does so wonderfully well.

When it came out 28 years ago, Farnsworth had already received an Oscar nomination for “Comes a Horseman.” He’d served as a stunt man, heavy on the Westerns, for decades before earning small roles in the margins, a few lines here and there. There’s a story of director Howard Hawks telling Montgomery Clift to keep an eye on Farnsworth while filming the 1948 cattle drive classic “Red River.” That’s how a cowboy really walks, and talks, and moves, he said. Keep an eye on him.

In “The Grey Fox” Farnsworth, then 63, displayed effortless ease and genuine, unaffected grace, and seeing the digital restoration reminded me of just how fantastic his face was, and is, in close-up. The script’s notion of Miner as a courtly, well-mannered thief may have been sparked by accounts of Miner’s personality, and then set down by screenwriter John Hunter. But plainly it comes straight out of Farnsworth’s own persona.

The movie, set and photographed in Washington and British Columbia, unfolds as a series of firsts for the character. After 33 years in San Quentin, Miner is released in 1901. Everything is new and peculiar. Traveling salesmen. Kitchen gadgets. Motor cars. The movies. In one of the signature scenes, Miner joins a roomful of male customers to watch “The Great Train Robbery,” his limpid eyes full of astonishment. The light bulb practically appears over his head: The stagecoach may be gone, but maybe there’s a train or two to rob.

Settling in Kamloops, B.C., Miner makes the acquaintance of a progressive-minded photographer (Jackie Burroughs), who takes him as her lover. She does not know about his past, only about his present, his even temperament, his air of secrecy. Wayne Robson plays Shorty, the other major supporting character. “The Grey Fox” has always been easier on the eye than it is provocative or troubling in any way, yet the documentary-trained Borsos and the cinematographer Frank Tidy offer up an elegantly realized string of vignettes. It’s a locomotive fanatic’s dream, this movie, among other things.

What happened to the star and the director years later lends “The Grey Fox” an extra layer of pathos. Farnsworth lived to 80, filming his swan song, the remarkable David Lynch project “The Straight Story,” the year before the frail and ailing unlikely star took his own life. Borsos was already gone by then; leukemia killed him in 1995, at the age of 41.

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