Working quiet emotional miracles, Zoe Kazan is the simmering kettle in the middle of an inferno in “The Plot Against America,” and she deserves every available award for her work in this fine, eerily evocative HBO adaptation.
She’s not top-billed: Winona Ryder is, and Ryder’s good, in a flamboyant, outsized way. Kazan works differently, befitting her domestic anchor of a character. There is nothing extraneous in her performance. There is, however, a world of heartache behind her eyes and a supernatural ability to judge the proper tone and rhythm of a scene.
Premiering Monday, HBO’s six-part miniseries has been overseen by writers and executive producers David Simon and Ed Burns of the great, hallowed Baltimore lament “The Wire.” Six hours, even with some uncertain storytelling elements, feels right for Philip Roth’s 2004 novel. With “The Plot Against America,” Roth, who died in 2018, remapped early 1940s American history from a chilling what-if perspective: What if the Great Depression were the least of the nation’s problems?
Imagine it. Franklin D. Roosevelt loses the 1940 presidential election to the Republican candidate, aviation hero and staunch “America First” isolationist Charles A. Lindbergh. Gradually, then suddenly, America becomes a different America. Anti-Semitic hate crimes skyrocket. Soon the federal government implements the “Just Folks” relocation program, placing Jewish teenagers with Midwestern and Western U.S. families, to “further and better assimilate” the Jews into mainstream, Christian culture.