In any other year, people sprinting like maniacs through fully stocked grocery store aisles, hurriedly filling their carts with frozen turkeys and containers of baby formula, would make for an escapist TV romp. And the team behind the upcoming revival of “Supermarket Sweep” hopes that’s still the case.
Even at a time when a trip to the market can be its own stress test.
The update to the beloved game show was announced back in January, when time still felt chronological and distinct, and was scheduled to begin shooting in mid-March for a summer launch. But it became one of the many productions upended as Hollywood came to a halt in compliance with the state’s stay-at-home orders due to the COVID-19 pandemic.
“We were set to load in the Monday after the order was given,” says Alycia Rossiter, an executive producer and co-showrunner of the new series. “We thought: Let’s put this on pause and see what happens … and a heck of a lot did happen.”
But with a mix of video conference strategizing, an enthusiastic host in “Saturday Night Live” alumna (and TV super fan) Leslie Jones and a number of safety initiatives, “Supermarket Sweep” found itself back in the game. Premiering Oct. 18 on ABC, it’s one of the few series expected to launch during a fall broadcast season that, in comparison to years past, will give a glimpse of the pandemic’s toll on TV’s pipeline.
Originally broadcast in the 1960s, “Supermarket Sweep” had its first revival in the 1990s, with host David Ruprecht, and became a cornerstone of the wacky and wholesome game-show circuit with its dreamlike premise of winning cash while answering questions about household essentials and pushing a shopping cart recklessly down grocery aisles.
The enthusiasm fans have for the show, boosted by their desire to compete on it, is what Rob Mills, senior vice president of alternative series, specials and late night at ABC, found enticing about reboot — specifically, the enthusiasm Jones had for it. As Mills tells it, the comedian’s retelling of her ill-fated attempt to get on the show with her roommate way back when — they got to the final round of auditions but her roommate left because she had only taken a half-day off of work — is what landed the show a home at ABC.
“We never even heard about what the plans were for (what) the new version of ‘Supermarket Sweep’ was going to be like,” Mills says. “We sort of bought the show on the spot. We bought the show because of Leslie — and knowing that it’s a great brand.” One additional plus: The property has seen a nostalgic resurgence, with select episodes available to stream on Netflix and Amazon Prime.
But it’s hard to ignore the backdrop against which this new version of “Supermarket Sweep” finds itself set. Grocery stores were deemed essential businesses early on in the pandemic’s narrative, as skittish consumers scrambled to stock up on items to sustain them in lockdown. A trip these days requires a mask, abiding by six-foot guide markers on the ground, and standing in checkout lines with Plexiglas barriers shielding the cashiers. And bare shelves, particularly in the household cleaning section, are still a common sight all these months later.
“We bought (the show) probably a year ago and since the pandemic happened, it has been interesting to watch the reaction to the old episodes, particularly when they put it on Netflix,” Mills says. “There was almost a comfort-food aspect to it. It brought you back to a time when we gathered in supermarkets. Even though we still do that, it’s in a much different way. I think that’s why this is probably the right time for the show.”
Virtual meetings became a near-daily occurrence for the show’s team during the hiatus, a means to brainstorm ways to safely begin work when the time came. Production company FremantleMedia, a stalwart in the unscripted space with shows like “American Idol” and “Big Brother,” had the advantage of seeing how its titles in other countries navigated filming during the pandemic, including the live finale for “Italy’s Got Talent.”
“It was a lot of planning and constantly updating,” says Dan Funk, Fremantle’s executive vice president of unscripted production. “As more and more information came out, we would adjust things so that by the time we started production, we knew what the outline of the protocols would be about how to move forward and keep everyone safe.”
Unable to rehearse segments on set, Jones refined her hosting through Zoom run-throughs every week, beginning in March and culminating in July — once she was able to travel to Los Angeles.
Roughly four months after its intended production start date, shooting for “Supermarket Sweep” began July 31 and spanned less than two weeks, with 1 1/2 shows completed per day of production.
There was frequent testing, hand-sanitizing stations, protective equipment and limited contact — all in compliance with suggestions issued by Hollywood’s unions, as well as state and local guidelines. The small crew was zoned off into groups to limit cross-contamination — for example, the camera operators and the camera assistants were all assigned a specific color zone. Members of each zone were assigned specific bathrooms and designated areas to consume meals. When communication needed to happen between groups, it was done over walkie-talkies, cellphones, or the production communication line.
The talent, which included the host and contestants who would be on set without masks when cameras rolled, as well as those in close contact with them, were tested more frequently, up to three times a week. And there was a safety compliance team on set, warning people if they weren’t wearing their mask correctly or failing to observe the required six-foot distance from co-workers.
Selected back in March, contestants who had once been eager to whiz through brightly lighted grocery aisles and snap up bonus cash attached to inflatable spearmint gum like it was 1993 found themselves weighing the health risks. The contestants, who arrived two days ahead of their call time to take nasal swab tests, are mostly local.
