It was very frustrating seeing the correction that both Lizzo and Beyoncé have done, and then the shock that was felt in the community that they would make the correction so promptly. In the work that I do, the people who bring me into these spaces are Black women and femmes, so it was not surprising to me to see two Black women make the correction that was needed so that people are not offended or hurt, and that the work can be fully inclusive. Black women are always looking to create safe spaces for us all. That’s why it really boggles my mind that we have this rhetoric of, “Trust Black women, believe Black women, allow Black women to lead,” but you don’t trust or believe us to do the right thing. With both Lizzo and Beyoncé we know that misogynoir is prevalent for both of them with the way that white people — disabled or not — engage with them when they do something that the public may not like. It’s just one of those things where Black women carry the burden of always having to be perfect and that’s such an unfair reality to deal with. Particularly for someone like Lizzo, who is all about positivity; she has the Yitty line (a clothing line with inclusive sizing), a reality show which everyone has raved about for how positive and affirming it is, so why wouldn’t you expect her to respond to the reaction and then make the correction? And then to act all surprised that Black people can know when we mess up and do right. You don’t see us as human to be able to make mistakes and then correct mistakes. That stripping of our humanity, for me, feels very prevalent here in how the disabled community engages with Black people and with Black disabled folks. They live in their own world and they forget that just because they’re disabled doesn’t mean that their whiteness is nullable; their whiteness is very prevalent as a disabled person, getting them access to resources and support more easily. People will pay attention to them more than anyone else [in the community]. And, I want to be clear that even though I know we are focusing on white disabled folks, non-Black people of color are problematic, too. Non-Black disabled folks are just as guilty with Black people who stumble with disability and their very anti-Black engagement with that, and that’s something that we have to be more intentional about calling out, as well.
Q: How does this perceived double standard affect the ways that people understand ableism and ableist language?
Bailey: I think it makes Black people understandably reticent to take ableism seriously. If it’s that only when Black artists are the ones who are being called out, then it makes it seem like, what’s the big deal with ableism, and is this not also racism operating? And, in this case specifically, misogynoir because we’re not seeing this happen to other artists, I do think that that can make people less likely to take it seriously. Additionally, it’s hard to kind of see what the real issues are in terms of this language and the culture that it perpetuates because it’s not understood within a context in which it’s being used. That language of “spaz” has, in the Black community, been used in the context of dance. That doesn’t mean that Black people who have some of the disability characteristics that would end up having that label applied to them, don’t also find fault with it, so it’s not as if the use is not harmful just because it’s being used in another context. It’s still there despite the way that it might be transformed in this other way, but I do think that we have to have the people who are most impacted be at the forefront of the conversation. What we didn’t hear immediately were Black disabled people speaking up with a critique of Lizzo and Beyoncé, and I think that’s something that we should be paying attention to when we think about how language is used and how people are taking it up. We have a sense of how Black disabled folks are taking this in. What are the issues that are concerning to them? What I’ve seen from Black disabled Twitter is that there are more pressing concerns when it comes to ableism than the way that Lizzo and Beyoncé use this language, and that the stuttering and the use of paralysis in this other song has equal, if not greater impact, because of how it actually mocks a particular impairment affect. I think that those questions become clearer when Black disabled voices are centered.
Thompson: It draws away from the real conversation about how we need to understand that the language that we may use, that may be in our everyday vocabulary, can be problematic. We need to understand why it is our responsibility to be aware and to figure out that a certain word is an issue, and that we need to use alternatives and then begin to incorporate those alternatives in our vocabulary and lexicon. It’s not easy to unlearn these ableist terms because they’re just so ingrained in our everyday vocabulary. Even when I started to do this work, there were things I had to learn and I’m still learning every day about language, not just when it comes to disability issues, but when it comes to queer spaces and other groups. Understanding what words are harmful in these spaces, the history of those words, and then what are the words that we should avoid altogether and to update our vocabulary, is part of this. We have to realize that language is always evolving. The ways in which we describe ourselves today, and five to 10 years from now, may look very different. Once we’re aware that things need to be updated, it’s our responsibility to do so. Some of the interactions I have with people when I’m training, when they realize some words are offensive, they feel embarrassment about not knowing. It’s OK to be embarrassed that you don’t know certain words. There’s been so much evolution in the ways that we look at these issues, particularly over the past 20 years, it’s OK if we’re a little behind in certain areas. It’s OK to be embarrassed that you didn’t realize something is offensive, but it’s not OK to be stuck there.