Lily James knew of Pamela Anderson only as “the icon from ‘Baywatch’ and Playboy.” Sebastian Stan knew something of Motley Crue drummer Tommy Lee’s reputation for debauchery. But when James and Stan got working on the limited series “Pam & Tommy,” which turns on the infamous sex tape stolen from the couple, the two actors found themselves struck by … innocence.
“There was a certain innocence to them that was in the script,” Stan says, “a lot of it in that initial, comet-like meeting that happened between them that led to three, four days in Mexico and, suddenly, a wedding. There was this instant pull, and it lasted for them. We were both conscious of trying to find that authentic kind of primal attraction, being protective of that and conveying that in the best way we possibly could.”
That high-speed collision of Anderson and Lee is depicted in the second episode. As presented by showrunner and writer Robert Siegel, director Craig Gillespie and the whole creative team, (especially cinematographer Paula Huidobro of “CODA,” editor Tatiana S. Riegel, who worked with Gillespie on “I, Tonya,” and the all-in hair-and-makeup department led by Barry Lee Moe, David Williams and Jason Collins), it’s a wild ride of two people falling head over heels in love — with a not-inconsiderable boost from mind-altering substances. The series doesn’t shy from portraying the couple’s explosive sexuality. It has loads of fun doing so. But as the poet sang, “Only true love can leave beauty innocent.”
Stan says, “We would meet at Craig’s house and he’d be like, ‘We’re gonna do this and all these push-ins, and these are gonna be the songs …’ When I watch that episode, I almost feel like I’m high.”