There’s a simple rhythm to the first two seasons of “Reacher”: an explosive opening, the hero getting pulled into some sort of shenanigans he’ll need to punch and shoot his way out of, plenty of twists, brilliant deductions and a generally satisfying if somewhat melancholic conclusion. The third season of the Prime Video series, which premiered earlier this month on the streaming service, follows that same narrative formula almost to a T. But whereas that repetition may feel stale in other series, here it works thanks to its crunchy action sequences, stellar pacing and host of interesting, fleshed-out characters. In effect, Season 3 punches above its weight — and that’s saying something for Jack Reacher.
The third season of the popular series — based on Lee Child’s 2003 novel “Persuader,” the seventh book in his long-running Jack Reacher series — hits all the narrative beats you’d expect in a “Reacher” season. It opens with a pulse-pounding kidnapping attempt that shows Reacher (reprised once again by a delightfully sardonic Alan Ritchson) seemingly out of his depths — a rare moment for the 6-foot-5, steely eyed, hypercompetent former Army major-turned-hobo (his words).
Turns out, he’s not floundering; it was his plan from the start. After seeing a face from his past — one of the worst people he’s ever met and someone he thought he put into the ground years ago — Reacher becomes entangled in a federal operation targeting Zachary Beck (Anthony Michael Hall), a rug merchant whom the government believes is smuggling drugs. In order to get close, Reacher and the Drug Enforcement Administration hatch a plan to get close to Beck’s son, Richard (Johnny Berchtold). So that kidnapping? A clever bit of investigative stagecraft — and it works. Reacher gets a position on the inside of Beck’s operations, kicking off a series of wild adventures for Reacher and Co.
Season 3 is full of moments like that: layer upon layer of clever storytelling and perfectly timed flashback sequences. Just when you’re asking yourself, “Wait, how?!” there’s a moment of exposition that fills in the details. That pacing is superb throughout: an excellent blend of just the right amount of action and the right amount of dialogue; there’s never a boring moment.