The Fox freshman phenom, “Empire,” wrapped its first season Wednesday with a two-hour finale that leaves lots of questions unanswered. But one question was definitely answered: Ten in a row?
As in 10 straight weeks of viewership growth — a historic run for a network prime-time series, especially in today’s hypercompetitive environment. “Empire” launched Jan. 7 with 9.9 million viewers, and was expected to easily surpass 15 million Wednesday night.
Week by week, more and more, bigger and bigger, but …
Why?
Let’s take a look at six reasons why “Empire” has defied the odds and grown when most new series succumb to the laws of gravity.
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IT’S A PRIME-TIME SOAP FOR THE 21ST CENTURY. Fox essentially did a zig while everyone else has been on a zag. Chasing prestige and inevitably smaller ratings, networks have either forgotten or spurned the art of the Big Brassy Pop Soap, a la “Dynasty” or “Dallas.” With “Empire,” Fox dusted off some classic soap tropes — family, power, lust, murder, intrigue, money, glamour — and filled a void.
CROSSOVER APPEAL. Conventional wisdom in television has long held that a drama with a largely black cast would appeal solely to a black audience. This “wisdom” hasn’t exactly been put to the test all that much — the last black family drama on one of the major broadcast networks was nearly 35 years ago (“Palmerstown, U.S.A.”). Preston Beckman, senior strategist for Fox Networks Group, told me that ” ‘Empire’ started off with a large African-American foundation. As a result, you had an enormous pool of viewers who just assumed this show ‘wasn’t for me.’ Once they discovered that ‘Empire’ dealt with universal issues and was a big broad soap, it really took off. What started out as a show perceived to be for a specific group became a show with something for everyone.”
THE MUSIC. This is a huge factor in the week-to-week growth, and here’s why: The popularity of the songs, which are released by Columbia Records after each episode, are almost certainly driving some newbies to the show. “Empire’s” recently released soundtrack — featuring some established stars like Mary J. Blige, Jennifer Hudson, Courtney Love and Estelle — quickly flew past a million downloads.
Meanwhile, stars Jussie Smollett (Jamal) and Bryshere Y. Gray (Hakeem) already have solo deals and — as “Glee” and a dozen other series from TV’s past have long established — growing popularity in one realm (TV) invariably drives popularity in the other (music).
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COOKIE. Does Taraji P. Henson’s fabulously outrageous scene larcenist Cookie Lyon — breakout TV character of 2015 — have anything to do with audience growth? Of course she does. Henson’s Cookie is one of those magnetic performances best characterized as “once seen, must see again.” Her outfits alone earn their own subcategory.
