MINNEAPOLIS — “Horror films don’t create fear,” said the late Wes Craven. “They release it.”
Craven should know. The maestro created three milestones of 1970s, ’80s and ’90s terror — “The Last House on the Left,” “A Nightmare on Elm Street” and “Scream.” In each new decade Craven found contemporary voices to release age-old anxieties, from visceral gore as horrific as the nightly news from Vietnam, to larks that offered bloody fun.
While moviegoers put a nail in the genre’s coffin a few years ago as a marketplace glut of torture-themed thrillers wore out their welcome, reports of horror’s death were greatly exaggerated. A fresh breed of filmmakers is revitalizing the genre with original, creative, idiosyncratic movies that grab and eat you.
“We’re slowly getting over the ridiculous torture porn of the 2000s,” said Jesse Bishop, programming director of the Film Society of Minneapolis St. Paul, which hosts the long-running “Dark Out” horror showcase. “The great new horror films make you laugh as often, or more, than you actually jump. It’s no longer just the ‘boo,’ but a well-placed ‘boo’ that is important.”