The romantic teen cyber thriller “Nerve” makes for a fascinating double feature with another release this weekend, “Jason Bourne.” Both films want to debate the ways in which online surveillance affects our everyday lives, but while “Bourne” wrestles with the state and corporate America, “Nerve” throws caution to the wind and exchanges privacy for cold, hard cash proffered by a bloodthirsty, anonymous mob.
The jittery, colorful “Nerve” is directed by Henry Joost and Ariel Schulman, who explored the complicated nuances of digital existence — and invented a euphemism — in the 2010 documentary “Catfish.” “Nerve” is very different, but no less concerned with the consequences of exposing yourself to mysterious forces on the internet.
The film is “Mr. Robot” meets “Battle Royale” with a dash of the stylistic wackiness of Luc Besson’s “Lucy.” Audio-visually, it feels like your best night out, veins coursing with adrenaline, heart thumping with sinewy electronic music. It feels like existing inside a smartphone, as the actors like, swipe, tap and livestream their way through the game.
The game is called Nerve; it’s truth or dare on steroids for millions of online viewers. It demands: Are you a Watcher or a Player? Reserved Staten Island teen Vee (Emma Roberts) signs up as a Player after a blowup with her wild best friend Sydney (Emily Meade). Vee’s finally ready to break out of her shell and take life one dare at a time. On her first assignment, she connects with Ian (Dave Franco), and the horde demands that the two team up to tackle their dares, which escalate dangerously.