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News / Nation & World

‘Virginia Woolf’ playwright Albee dies

He used language to challenge cultural assumptions

By MARK KENNEDY, Associated Press
Published: September 16, 2016, 6:47pm
2 Photos
In this March 13, 2008, file photo, Edward Albee is photographed during an interview in New York. The three-time Pulitzer Prize-winning playwright has died in suburban New York City at age 88. Albee assistant Jackob Holder says the playwright died Friday, Sept. 16, 2016, at his home on Long Island. No cause of death has been given.
In this March 13, 2008, file photo, Edward Albee is photographed during an interview in New York. The three-time Pulitzer Prize-winning playwright has died in suburban New York City at age 88. Albee assistant Jackob Holder says the playwright died Friday, Sept. 16, 2016, at his home on Long Island. No cause of death has been given. (AP Photo/Mary Altaffer, File) Photo Gallery

NEW YORK — Three-time Pulitzer Prize-winning playwright Edward Albee, who challenged theatrical convention in masterworks such as “Who’s Afraid of Virginia Woolf?” and “A Delicate Balance,” died Friday, his personal assistant said. He was 88.

He died at his home in Montauk, east of New York, assistant Jackob Holder said. No cause of death was given, although Albee had had diabetes. With the deaths of Arthur Miller and August Wilson in 2005, Albee was arguably America’s greatest living playwright.

Several years ago, before undergoing extensive surgery, Albee penned a note to be issued at the time of his death: “To all of you who have made my being alive so wonderful, so exciting and so full, my thanks and all my love.”

Albee was proclaimed the playwright of his generation after his blistering “Who’s Afraid of Virginia Woolf?” opened on Broadway in 1962. The Tony-winning play was made into an award-winning 1966 film starring Elizabeth Taylor and Richard Burton. The play’s sharp-tongued humor and dark themes were the hallmarks of Albee’s style. In more than 30 plays, Albee skewered such mainstays of American culture as marriage, child-rearing, religion and upper-class comforts.

“If you have no wounds, how can you know you’re alive?” a character asks in Albee’s 1996 “The Play About the Baby.”

Albee challenged audiences to question their assumptions about society and about theater itself.

“Plays are acts of protest meant to change people,” he once told The Star Tribune newspaper of Minneapolis.

He did it with humor and a sense of linguistic delight, using withering barbs and word play to hint at deeper meaning.

His unconventional style won him great acclaim but also led to a nearly 20-year drought of critical and commercial recognition before his 1994 play, “Three Tall Women,” garnered his third Pulitzer Prize. His other Pulitzers were for “A Delicate Balance” (1967) and “Seascape” (1975).

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