Wednesday, March 29, 2023
March 29, 2023

Linkedin Pinterest

African-American poets get their due

The Columbian

George Moses Horton wasn’t supposed to be able to read. As a black slave in rural North Carolina in the pre-Civil War South, he definitely wasn’t supposed to be able to compose sonnets and ballads. But on July 18, 1828, his poem “Slavery” appeared in the newspaper Freedom’s Journal.

Two researchers are bringing attention to poets like Horton though their book, “Voices Beyond Bondage: An Anthology of Verse by African Americans of the 19th Century.” Editors Erika DeSimone and Fidel Louis combed through thousands of black newspapers and pamphlets like The North Star, Freedom’s Journal, Frederick Douglass’ Paper, Western Cyclone and The Christian Recorder to find 150 poems written by black slaves and black freedmen and freedwomen to help flesh out what they call a gap in the history of the black literary movement.

Focusing only on poems published in that era’s black newspapers — the main literary outlet for black authors and poets of the time — “Voices” covers the gamut of African-American poetry from 1827 to 1899: odes to freedom and condemnation of slavery, celebrations of life and love, calls to religion and politics, and tributes to the gloriousness of everyday life.

The most powerful are the poems about the cruelty and desperation of life in bondage, many written by anonymous slaves or slaves like Horton or Mingo, who pinned his on the walls of his slave prison before dying in an escape attempt. It was reprinted in The Weekly Anglo-African on Aug. 10, 1861.

A work of more than a decade, the project came about as Louis was working on his thesis about the black press and noticed that many if not all of the black newspapers of that time included poetry in each issue. Louis began to collect these poems and was joined by DeSimone in 2002 in vetting the thousands of works to ensure they were actually written by African-American poets.

The collection aims to fill in gaps in the commonly accepted history of black poetry.

Works by more famous poets like Jupiter Hammon and Phyllis Wheatley — the first published African-American poets — are purposely missing, the editors said. Hammon, a Long Island, N.Y., slave, is remembered as the first published African-American poet, with his poem “An Evening Thought: Salvation by Christ With Penitential Cries,” published in 1761 in the colonies. Wheatley’s “Poems on Various Subjects, Religious and Moral” was published in England in 1773 before her emancipation.

DeSimone and Louis’ work expands the field of black poetry, disproves the myth that 19th-century African-Americans were illiterate or uneducated, and should be a welcome addition to any historian or poetry lover’s library.