What keeps acting interesting for you?
I look at every role as a person that I’m meeting for the first time, and that allows me — because of the curiosity that I’ve always had since I was a child, and thank God I still have it — to delve into the personality, to find out who they really are. And once I can do that, it gives me some assurance that I can honestly project the character of the person.
Did you always want to be an entertainer?
As a child, my father taught the three of us — he had a boy and two girls — to sing. So we sang and were always performing in church. … I never thought of it as anything special. Except once when my sister and I were supposed to perform together. She didn’t want to go because she didn’t like the song that was chosen for us to sing. So I went by myself, and it ended up that they put me on a chair and they lifted the chair into the air and they marched all around the church with me on it. I couldn’t wait to get home and tell my mother and my sister and my father. I never forgot that moment.
What attracts you to a role?
Well, either my skin tingles or my stomach churns. I’ve said that from the beginning of my career. It happens when I read a script. When I read a script, either my skin tingles or my stomach churns. If my stomach churns, I know it’s not for me. When my skin tingles, I can’t wait. It’s that simple with me.
Do you ever think about retirement?
When I saw Geraldine (Page) do “Trip to Bountiful” … I saw her name on the billboard and I’ve always been a fan of hers, so I went in and saw it. When I left the theater I went right to my agent’s home and I said, “You get me my ‘Trip to Bountiful’ and I will retire.” He looked at me and he laughed, OK? And every now and then I would run into him and say, “Where’s my ‘Trip to Bountiful?’ ” Well 26 years later — you know, I say it, and I don’t really believe it, but it happened — 26 years later I received a call (for a meeting with) Hallie Foote, the daughter of (playwright) Horton Foote. … She told me that she was thinking of doing one of her father’s plays, “Trip to Bountiful,” with a black cast, and that her father had so much respect for me and my work that she knew that I was the only person he felt would be able to play it. … I literally fell off the chair.