PARK CITY, Utah — Ten years after the watershed environmental documentary “An Inconvenient Truth” debuted, climate change is even more dire, but the solutions are right in front of us, say directors Bonni Cohen and Jon Shenk, whose film “An Inconvenient Sequel” kicked off the Sundance Film Festival on Thursday.
The film, which follows former Vice President Al Gore on his continued quest to educate and inform the public and world leaders on climate change, was the first in a series of 14 environmentally focused documentaries scheduled to play at the annual film festival in their newly anointed “New Climate” section. The films include looks at coral (“Chasing Coral”), the Mexico City sewer system (“The Diver”), Greenland’s ice sheet (“Melting Ice”), and the industry of big-game hunting (“Trophy”).
Sundance founder and longtime environmentalist Robert Redford said in a statement that “independent perspectives are adding the depth and dimension needed for us to find common ground and real solutions.”
It’s fitting, then, that this year’s festival began with a sobering look at what has happened since “An Inconvenient Truth” helped made climate change part of the popular consciousness. Directed by Davis Guggenheim, it won the Academy Award for best documentary feature (Guggenheim is executive producer of the new film).
“It’s more overwhelming and more horrible and bleak than you ever thought, but also you realize that we’re closer than ever to a turning point where things can really change. It’s really intense,” Shenk said recently.
“People have gotten used to and almost numb to the climate crisis and this feeling of, ‘What can we do?’ This film will elucidate both what has happened and what is possible.”
That the film premiered the day before Donald Trump, who has dismissed climate change as a hoax, was inaugurated as president of the United States is not lost on the filmmakers, who call this moment “a cold shower.” And yet, they’re still hopeful.
“We’re at a very different place in terms of the solutions now,” Cohen said. “It is kind of an exciting time from Al Gore’s perspective, not only to put the dire message out but to offer to people solutions.”
Filmmaker Marina Zenovich also notes the poignant and urgent political moment in which these films are debuting. Her film, called “Water and Power: A California Heist,” has been described as “‘Chinatown’ the documentary.”
“We didn’t time this, but this is how it happened,” Zenovich said. “We have this valuable, precious resource that is like gold, it’s like a treasure and it’s being privatized and commodified and it’s kind of like the time has come for us to all come together and pay attention to it.”
While urgency looms in the New Climate section and documentaries on subjects like Syria and domestic police practices fill out the schedule, festival interest might rest elsewhere, according to Tatiana Siegel, a senior film writer for The Hollywood Reporter.
“It’s interesting because a lot of the docs are very issue oriented,” Siegel said.
“But when you talk to buyers, the ones that they’re most interested in are a little bit more escapist.”
Sundance has launched such films as “Whiplash,” “Beasts of the Southern Wild,” and “Manchester by the Sea” in recent years. Buzzy titles premiering over the two weeks include the Gulf War drama “The Yellow Birds,” starring Jennifer Aniston and future Han Solo, Alden Ehrenreich; director Dee Rees’ WWII-era racial drama “Mudbound” with Mary J. Blige and Carey Mulligan; and “The Incredible Jessica James” starring comedian Jessica Williams.
Also hotly anticipated is the Roxane Shante biopic “Roxanne Roxanne” starring Nia Long and “Moonlight’s” Mahershala Ali.
There’s also films like “78/52,” which dissects the shower scene in Alfred Hitchcock’s “Psycho,” the 235-minute-long Grateful Dead documentary “Long Strange Trip,” which recently sold to Amazon, and “Step,” about a group of high school girls in inner-city Baltimore.
“Step” director Amanda Lipitz, also a Broadway producer, had been making shorts about kids from her hometown of Baltimore who were the first in their family to go to college when she stumbled upon stepping, a style of dancing punctuated by hand claps and foot stomps popularized by black fraternities and sororities, through a group of girls she’d been documenting.
“They were doing this handclap thing and I said, ‘What are you doing?’ and they said, ‘We’re stepping! You’ve got to come, you’ve got to film this step team,”‘ she said. “I went and brought cameras and walked in to the gym and my heart stopped beating and I thought, ‘Oh my God, this is what happens in a great musical! When characters can’t speak anymore so they sing to express their hopes and their dreams.’ That’s what these girls were doing with step.”
The Sundance Film Festival runs through Jan. 29.
