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Studio Ghibli co-founder, director Isao Takahata dies at 82

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In this Feb. 12, 2015 photo, Japanese animated film director Isao Takahata speaks about his latest film “The Tale of The Princess Kaguya” with its poster during an interview at his office, Studio Ghibli, in suburban Tokyo. Takahata, co-founder of the prestigious Japanese animator Studio Ghibli that stuck to a hand-drawn “manga” look in the face of digital filmmaking, has died. He was 82. Takahata, who directed “Grave of the Fireflies,” a tragic tale about wartime childhood, died Thursday, April 5, 2018, of lung cancer at a Tokyo hospital, according to a studio statement.
In this Feb. 12, 2015 photo, Japanese animated film director Isao Takahata speaks about his latest film “The Tale of The Princess Kaguya” with its poster during an interview at his office, Studio Ghibli, in suburban Tokyo. Takahata, co-founder of the prestigious Japanese animator Studio Ghibli that stuck to a hand-drawn “manga” look in the face of digital filmmaking, has died. He was 82. Takahata, who directed “Grave of the Fireflies,” a tragic tale about wartime childhood, died Thursday, April 5, 2018, of lung cancer at a Tokyo hospital, according to a studio statement. (AP Photo/Shizuo Kambayashi) Photo Gallery

TOKYO — Isao Takahata, co-founder of the prestigious Japanese animator Studio Ghibli that stuck to a hand-drawn “manga” look in the face of digital filmmaking, has died. He was 82.

Takahata started Ghibli with Oscar-winning animator Hayao Miyazaki in 1985, hoping to create Japan’s Disney, and helped shape the style and voice of what became one of the world’s most respected animation studios as well as this nation’s prized cultural export.

He directed “Grave of the Fireflies,” a tragic tale about wartime childhood, and produced some of the studio’s films, including Miyazaki’s 1984 “Nausicaa of the Valley of the Wind,” which tells the horror of environmental disaster through a story about a princess.

Takahata died Thursday of lung cancer at a Tokyo hospital, according to a studio statement Friday.

He was fully aware how the floating sumie-brush sketches of faint pastel in his works stood as a stylistic challenge to Hollywood’s computer-graphics cartoons.

In a 2015 interview with The Associated Press, Takahata talked about how Edo-era woodblock-print artists like Hokusai had the understanding of Western-style perspective and the use of light, but they purposely chose to depict reality with lines, and in a flat way, with minimal shading.

That, he said, was at the heart of Japanese manga, or comics.

“It is about the essence that’s behind the drawing,” he said at Ghibli’s picturesque office in suburban Tokyo. “We want to express reality without an overly realistic depiction, and that’s about appealing to the human imagination.”

His 1982 rendition of “Gauche the Cellist,”a classic by early 20th century poet-writer Kenji Miyazawa, was inspired by oil paintings. When he spoke of computer graphics or other digital techniques like 3D, he practically said the terms with a scoff.

He said Ghibli strove to fuse Japanese and Western filmmaking styles.

In the interview, Takahata confessed to an almost love-hate relationship with Miyazaki because their works were so different. He said he tries not to talk about Miyazaki’s works because he would have to be honest, and then he would end up getting critical, and he didn’t want conflict with an artist he so respected.

His last film, “The Tale of The Princess Kaguya,” based on a Japanese folktale, was nominated for a 2015 Oscar for best animation feature, although it did not win.

He is also known for the 1970s Japanese TV series “Heidi, Girl of the Alps,” based on the book by Swiss author Johanna Spyri.

There was an outpouring of international mourning.

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