It’s been a good year for “Schitt’s Creek,” a situation comedy about a formerly wealthy family living in a small-town motel. Its reputation and audience has continued to build with memes and gifs and the old word of mouth, rising to a rapidly sold-out “up-close-and-personal” appearance in September at Los Angeles’ Ace Theater, and another last month at the Hollywood Roosevelt. (A North American tour begins Jan. 20 in San Francisco.) New episodes of the Canadian-made show air in the U.S. first on the basic cable network Pop TV and later slide onto Netflix, where many late-coming converts doubtless have been made.
When the CBC series began, Eugene Levy and Catherine O’Hara, who play Johnny and Moira Rose — and whose work together goes back to “SCTV” and forward through a number of Christopher Guest films, including “Best in Show” and “A Mighty Wind” — were the main selling point. (Some will have come for Chris Elliott as mayor Roland Schitt.) But Eugene’s son, Dan Levy, who plays son David Rose and co-created the show with his father (and continues to run it) has emerged as a star in his own right, as have Annie Murphy as sister Alexis and Emily Hampshire as motel proprietress Stevie Budd.
They were all present De. 19, along with every other “Schitt’s” character of note, when Pop aired the series’ first holiday special, a beautifully wrapped package full of laughter and tears.
I spoke with Dan Levy about the series at the Ace Theater. Season five begins Jan. 16 on Pop.
Your live show sold out in no time.
We’ve slowly but surely built a really loving fan base, and I think this last season, the fourth season of our show was the most emotional and sensitive and tender. As a show runner, I know you don’t just get that — you have to earn it.
Did knowing you had that fan support let you go that extra step?
In a way. I think it was also just looking at our cast and what they’ve proven they can do in terms of the brilliant duality of balancing of funny, funny content, funny lines, with emotional moments that can play just as true as the comedy does. It was always an intention to continue to pull back the layers. And like in any kind of relationship, the more you know about people the more tender it gets, because you care more. I think this fourth season struck an emotional chord with people that in a way substantiated their belief in the show. Considering how our subject matter can be quite polarizing, we’ve received just the most overwhelmingly positive, joyful response. Say what you will about social media, but it has been wonderful in terms of our show.
Do you have a picture of your fan base?
I’ve had families from grandparents to grandchildren all come up and say that they watch it together, but I have not found a through line in terms of what that fan base is. Because, especially in America, it’s Democrats, it’s Republicans, it’s people whose beliefs are not necessarily mine or our show’s.
Some of the most touching feedback I’ve received has been from right-wing, religious-based people who have never understood … queer culture. They’d never had an in to that world before, and they’ve fallen in love with the characters. If we can continue to open people’s eyes to realize that everyone’s deserving of love, that’s a wonderful thing.
As a gay person to tell these stories and to have no questions asked and no notes from network and to feel completely uninhibited in saying, ‘This is a gay couple on TV; they’re going to kiss like any straight couple would” — it’s amazing. Gay relationships have historically not been treated the same as straight relationships. You don’t see the same kind of sexuality, intimacy, kissing, because it’s been considered taboo or headline-grabbing for so long. I love that we’ve been able to just tell a relationship as it is, as it exists, for me, for my friends, for people I know, for people out in the world, that doesn’t come with a lesson to be learned. It’s just two people loving each other.
You did some really touching work as David this last season. Did you surprise yourself as an actor?
No. It’s really been my first major venture into acting, but I have such a personal connection to this character that it really has allowed me to do things I never thought I could do. And it goes without saying I empathize so much with this story, and with these people — but I also think our stories have evolved with an incredibly lovely trajectory, and it’s come quite naturally in terms of playing the emotional stuff. We’re always making sure there’s a level of acidity for every sentimental moment that we have, never letting any of the characters feel completely fine.
