“Veronica Mars” is back, again, courtesy of Hulu’s long-coming fourth season of a series born in 2004 on a network — UPN — that no longer exists.
In a sense, Veronica herself has been there all along, as a potentiality and sometimes more: canonically revived in a 2014 Kickstarter-funded feature film and two subsequent novels co-authored by series creator Rob Thomas, and in the unofficial shared dream that is fan fiction. And, most important, in the person of actress Kristen Bell, whose shape and sound and carriage are Veronica’s as well. It is easier to imagine anyone playing Batman than it is to picture anyone but Bell playing Veronica Mars.
An attractive and subtle actress of greater range than any single snapshot of her career might suggest, Bell draws you in without seeming to work hard. This is true of many of television’s best actors, in part because the medium, in its intimacy, requires a light touch. Anything too big, too thespian, can become exhausting week after week. This is what makes Ted Danson, Bell’s “The Good Place” costar, a god of the medium.
What works for Bell in “Veronica Mars” is not wholly distinct from what works for her in “The Good Place,” in which she plays a hot mess becoming a better person after death; or worked for her in “House of Lies,” the Showtime series about self-dealing management consultants in which she appeared opposite Don Cheadle; or in “Deadwood,” where she took the role of a con artist masquerading as a good girl working as a prostitute. She’s a small person, with a persistent touch of the child in her features, that makes her age hard to pin down. As ingenues go, she’s always been a bit of a bad girl — elfin but impish. (“Nicetiness,” I have called her particular mix of the nice and the nasty.)