Saturday night was almost over and maybe rock ‘n’ roll was, too. Jim James was at Washington, D.C.’s 9:30 Club, playing an entirely consuming, somewhat conventional curtain-closer of a guitar solo. Out in the crowd, people were throwing tight fists and big woo-hoos up toward the ceiling — cheering something that felt more comforting than exhilarating but still like both. It was 2019. The familiar and the unknown did a little dance.
Much of the music that James has generated over the past two decades — in the band My Morning Jacket and when he performs under his own name — feels familiar and unknowable by design. His songs always tell us where they’re headed without always revealing how they’ll get there. And in all of that improvisational electricity and heroic certitude, his music characterizes a wider transformation that has taken place in rock ‘n’ roll across our young century.
Slowly, steadily, almost inconceivably, indie bands have become jam bands.
At first, it just seemed like the hip and the hyped confessing to tweenage dalliances with Phish or the Dead — the cool embracing the uncool, a public scrubbing of guilt from pleasure, a migration to the opposite side of the lunchroom. But genres are just invisibly fenced realms of aesthetic make-believe, anyway. Musical traditions? Those are real. So as indie-minded artists began adopting jam-minded practices, the riffs went loose, the mood went light and the solos went long. Few have jammed their live sets into the realm of pure, complete, off-the-rails improvisation, but the music has undeniably dilated into new shapes – new shapes filled with new meanings.
Twenty years ago, this would have been unthinkable. Indie rock (let’s say: everything that descends from the Velvet Underground) and jam band music (let’s say: everything that descends from the Grateful Dead) have traditionally felt incompatible, if not adversarial. Indie people are skeptical and fickle. Jam band people are undiscriminating and loyal. Indie is principled. Jam is chill. Indie scorns. Jam accepts. Yes, plenty of indie guitar heroes spent their respective ’90s stretching grooves out toward enlightenment — Sonic Youth, Dinosaur Jr., Yo La Tengo, Fugazi — but the difference between an indie band and a jam band still used to feel like night and day, oil and water, Lollapalooza and H.O.R.D.E.