NEW YORK — Herman Wouk was a prize-winning, million-selling author never quite in fashion.
He was a religious Jew among secular peers, a respecter of authority in a field of rebels. He didn’t brag like Norman Mailer and was spared the demons driving the madness of Philip Roth’s “Portnoy’s Complaint.” After a Pulitzer early in his career for “The Caine Mutiny,” he was mostly ignored by awards committees and was often excluded from anthologies of Jewish literature. Gore Vidal praised him, faintly, by observing that Wouk’s “competence is most impressive and his professionalism awe-inspiring in a world of lazy writers and TV-stunned readers.”
But Wouk, who died Friday 10 days shy of his 104th birthday, was a success in ways that resonated with critics and readers, and with himself. He created at least one immortal fictional character, the unstable Captain Queeg of “The Caine Mutiny.” He was praised for the uncanniness of his historical detail in “The Winds of War” and other books. He was among the first modern Jewish writers who appealed to the general public and had an enviably large readership that stayed with him through several long novels, many of which dramatized the conflicts between faith and assimilation.
He was working on a book until the end, said his literary agent Amy Rennert.
Wouk’s long, unpredictable career included gag writing, fiction and a musical co-written with Jimmy Buffett. His two-part World War II epic, “The Winds of War” and “War and Remembrance,” was adapted by Wouk himself for a 1983, Emmy Award-winning TV miniseries starring Robert Mitchum. “The Winds of War” received some of the highest ratings in history and Wouk’s involvement covered everything from the script to commercial sponsors.
