Tina Fey asked the tough question 10 minutes into the three-hour Golden Globes broadcast Sunday: Could this whole night have been an email? Well, maybe.
We wouldn’t have gotten to see the awkwardness of Daniel Kaluuya’s acceptance speech (almost) cut before it began, Don Cheadle giving a tie-dyed sweatshirt clad Jason Sudeikis the wrap-up signal, or Catherine O’Hara’s husband playing her off with his iPhone — a funny bit hampered by bad sound.
But we also wouldn’t have gotten to tear up along with Chadwick Boseman’s widow Taylor Simone Ledward or see the sweetness of Mark Ruffalo’s kids standing proudly behind him when he won, or Ethan Hawke’s sitting with him when he didn’t.
We also wouldn’t have gotten swept away by Norman Lear’s heartfelt remarks. It helped that Lear’s setup looked professionally produced. Many did not. Celebrities, we’ve all learned over the past year, have bad lighting and shoddy internet connections too, even on an awards show night.
The 78th Annual Golden Globes came in limping Sunday, not just because of the strangeness of producing a live, bicoastal show a year into a pandemic, but because in the week leading up to the event, the 87-person organization behind the endeavor, the Hollywood Foreign Press Association, was given an unflattering spotlight in a series of exposes in The Los Angeles Times and The New York Times. The most stinging revelation was that there are zero Black members in their ranks.
Whether or not they would address it was perhaps the biggest question going into the night. Hosts Fey and Amy Poehler said they needed to change. And three members of the HFPA came out on stage to say they intended to. The remoteness of it all allowed them to control the controversy on their own terms, or at least manage it. For the show, it was a silver lining. For the audience, it felt like a punt. In a normal year, every nominee and guest would have been asked about it on the red carpet. All the celebrities who posted that Time’s Up message on their socials would have had to say something. Sunday, there was no one to ask. The HFPA may have just bought themselves another year to get their act together.
Although their nominations are occasionally absurd, the ultimate winners often aren’t. “Nomadland” director Chloe Zhao became the first woman to win best director since Barbra Streisand in 1984. Boseman won too. As did “Minari” and Lee Isaac Chung, even if it was relegated to the foreign language category. Kate Hudson did not. Unfortunately, as the night wore on, more and more winners found themselves played off by the show, including most of “The Crown.”
The evening had its inspired comedic moments too, most of which came from hosts Fey and Poehler who in their fourth time leading the show seamlessly played off of one another with almost 3,000 miles between them.