Awash in the sunlight from his bedroom window in Baltimore, frontman Brendan Yates, 31, describes the band’s unorthodox sounds — whether it’s the skittish new wave guitar riffs of “New Heart Design” or the steel-toed soca of “Don’t Play” — with the cryptic, cool repose of a zen master.
“There’s no formula for what feels right,” he says over Zoom, ahead of the band’s weekend shows in Los Angeles.
“Sometimes we try a new thing for a second, then move on. ”
Founded in 2010 by high school friends Yates, Brady Ebert, Daniel Fang, Franz Lyons and Pat McCrory, Turnstile roared through the Baltimore and D.C. punk scenes, peppering their gang vocals and rap-rock with rogue maraca shakes and plinky merengue synth loops. Shortly after the release of their 2016 full-length “Nonstop Feeling,” they signed to heavy metal stronghold Roadrunner Records.
On their 2018 major label debut “Time & Space,” a nod to a 1972 B-side by the Ohio Players, Turnstile’s wanderings into soul and R&B left punk purists sputtering incredulously across the internet. Yet punk in the DMV, or that pocket of the Eastern Seaboard where D.C., Maryland and Virginia meet, was uniquely shaped by go-go, a homegrown funk offshoot made popular in the ‘80s and ‘90s by artists such as Chuck Brown and the group Trouble Funk. During the simultaneous rise of go-go and hardcore in 1980s D.C., future punk luminaries Dave Grohl (then of the band Scream) and Ian MacKaye of Minor Threat frequented go-go parties.