LOS ANGELES — In an age that has blurred the lines of what television movies even are, it’s fitting that one that feels too cinematic for TV should be nominated for six Emmys. It’s sci-fi but a period piece. It’s about a young woman coming into her own, an atmospheric coming-of-age story — with a space monster in it. It’s a prequel that’s a clear improvement over its predecessors. But rarest: It’s a wide-audience Hollywood movie with an Indigenous cast.
As the Predator found, this “Prey” surprises.
Director and co-writer Dan Trachtenberg (“10 Cloverfield Lane”) says he wanted to tell a story primarily through action but that wasn’t just an action movie. “Could there be a real emotional core that would be as (involving) as the action scenes? So I thought about taking the engine of a sports movie, an underdog story — then we’d be firing on all cylinders. Is there a protagonist we never get to see on-screen, so the underdog story is not just inside the movie; it’s outside as well? And that led me to Native Americans and, more specifically, the Comanche, who so often in American cinema have been relegated to playing the sidekick or the villain.”
Producer Jhane Myers agrees: “For me, being an enrolled Comanche member, that was really important, because of all the years Comanche people have been portrayed as — we kill everything, burn everything, take what we want — that’s all that (moviegoers) ‘knew’ about Comanches. Native Americans are the most underrepresented group. This was one way to re-educate the world and show them who Native people really are.”
Streaming on Hulu, the film, whose nominations include those for TV movie and writing and directing for Trachtenberg, can be played in the Comanche language too.
“This film launched to the world — it was on Hulu, then Disney+ internationally — the world got to hear what Comanche sound like when they speak their language. What are their relationships — to their families, their friends, their culture, to the earth? Nobody has seen us use our medicine,” Myers adds.
“I was excited to see an Indigenous female hero that lives within a period piece, and she is so a whole and real person,” said Amber Midthunder, “Prey’s” now-26-year-old star, before the actors’ strike. One can forgive her for being a little confused when, in a compelling script she was reading about Naru, a Comanche girl in 1719, a clicking, murderous alien showed up. And he’s familiar to most audiences.
“Prey” is part of the well-known “Predator” sci-fi franchise. The 1987 debut film, starring Arnold Schwarzenegger, introduced an alien race known as the Yautja. A typical specimen is around 8 feet tall, sports advanced weaponry and likes long walks in the forest and hunting humans for sport. The Predators have spawned seven movies, including crossing over into the “Alien” franchise.
“I had not seen the ‘Predator’ movies,” Midthunder said with a bit of a bashful smile. “The clicking is where people really understood what it was. I was like, ‘There’s a monster, and it clicks.’ But I thought it was really cool.”
The film has well-staged action and gore, and one particular bit of fan service “Predator” buffs will love (involving a particular pistol). But Trachtenberg makes a point of noting, “We’re making a movie with a Predator as the antagonist, but that’s very different than making ‘a Predator movie.’” “Prey” takes less inspiration from, say, “Alien vs. Predator” than it does “ The New World “ or “The Thin Red Line” by notably atmospheric auteur Terrence Malick.
“Malick has a very specific sense of cinematography, very wide-angle lens and docu-style … those were big inspirations in general for me, both musically and visually. I’ve always been drawn to when A directors make B material — ‘B’ for ‘Blockbuster’ — more genre, commercial material,” Trachtenberg said.
“Prey” takes time with its characters, and its environs don’t feel like a set; they feel like a real place where people live.
