If you thought the vase-making scene from “Ghost” or food-eating extravaganza in “91/2 Weeks” were hot and heavy, a paint-themed coupling in the upcoming Netflix legal drama and erotic thriller “Mea Culpa” will steam up the windows.
Kelly Rowland, best known as part of Destiny’s Child from 1997 to 2006, has been more focused in recent years on acting.Her biggest ever role as a Chicago defense attorney in Tyler Perry’s “Mea Culpa.” It premiered last week on Netflix.
Rowland is in almost every major scene in the movie, the protagonist with an unemployed husband whose overbearing mother was making her life miserable. She takes on the defense of a famous painter Zyair, played with sexy abandon by Trevante Rhodes.
Zyair is accused of murdering his girlfriend and the evidence, albeit circumstantial, is problematic. Despite the fact Mea’s brother-in-law is the district attorney eager to take Zyair down, she takes on the case because she has bills to pay and she’s intrigued by Zyair, whose yen for women is blatantly obvious.
Rowland, who also came on as an executive producer, said she was excited to join a Perry vehicle for the first time but nervous given how quickly Perry works as a director. “How am I going to remember all these lines?” she said. “And Trevante is just a G at this. I wanted to be able to meet him at his level. I put so much pressure on myself but it was good because it made me uncomfortable.”
Rhodes credits Tyler Perry Studios for helping him get his first sizable role in a TV show in OWN’s “If Loving Is Wrong” a decade ago. “His studio was the first prominent studio to reach out and give me an audition,” he said. “I was in L.A. three or four months. It was just a big blessing to get an opportunity like that and win it so early on.”
Now he’s back in a much bigger, much meatier role as Zyair, whose spacious loft packed with paintings feels both alluring and dangerous to Mea. She has difficulty keeping boundaries with a client who seems more interested in Mea herself than his own innocence.
“We met the day before we started shooting,” Rowland said. “We didn’t even have a meal. It was a hug. But the hug made me feel very safe, very respected, very comfortable. I literally texted Tyler: ‘Oh yah … this is going to work!’ ”
Indeed, the most memorable scene in the movie involves an illicit romantic entanglement between Mea and Zyair featuring copious amounts of body paint.
“It was amazing,” Rhodes said. “It was fun. It was a very creative experience. I felt very in tune.”
