NEW YORK — Children’s writer Kate DiCamillo is known for beloved stories like “The Tale of Despereaux” and “Because of Winn-Dixie,” about kids and animals trying to navigate the world and make emotional connections. Her trademarks include a strong voice, humor, and a tinge of sadness.
But her latest book, “Ferris” is a departure, and a surprise even for DiCamillo — the story of a happy family.
“People have opened their hearts to me. It’s been this long, beautiful kind of thing, where I have been able to let myself be loved because of the stories. So now I can write a story that is all love,” the author recently told The Associated Press.
The middle-grade novel — out this week from Candlewick Press — chronicles the adventures of a 10-year-old girl named Ferris living in a small town, trying to manage her quirky family members, including her daredevil little sister Pinky and glamourous grandmother, who insists she’s being visited by a ghost.
“Ferris” still has many hallmarks of a DiCamillo story — small town simplicity, the slow pace of a hot summer, a trusted best friend, and an adorable dog with a freakishly high emotional I.Q. Most of DiCamillo’s books teach life lessons through humor and common experience, but characters also deal with loss, grief and loneliness. DiCamillo says she didn’t recognize those themes until fans pointed them out.
“I would hear ‘the books are dark,’ and it would always surprise me because I would think the books are funny. Or the books are just telling the truth about what it’s like to be here, which is, it’s really hard to be here. And it’s also beautiful here,” DiCamillo, 59, said.
How DiCamillo writes
The Newbery Medal winner laughed as she admitted how little planning and preparation goes into starting a new book. She says her writing process is “instinctual” and she often learns about her story themes while promoting her books.
“I don’t do character development. I don’t … think out the plot in advance,” DiCamillo said. “I have usually the name, I have an image or two and then it’s like walking down a dark hallway and I can see a little strip of light at the end of the hallway. That’s the door. And so I’m just kind of like feeling my way through it.”
DiCamillo has had 44 million books in print worldwide, translated into 41 languages, and many have been adapted for the stage and screen. Yet self-deprecating to a fault, DiCamillo claims she often thinks her first drafts are “terrible” but has faith they’ll improve.
DiCamillo’s human characters are usually 8- to 10-years-old and when fans wonder how she gets inside the mind of a child so authentically she says her 8-year-old self is still very present in her heart. Her newest character, Ferris Wilkey is heading into fifth grade and adores Grandma Charisse, but senses she’s not well.
“You’re aware of everything and you haven’t gone over into cynicism yet,” DiCamillo said of that age. “She’s seen the world, and is so open to all the magic of it and also seeing … people that you love can get sick.”
Ferris has her own room, two parents, and an extended family who demonstrate their love, creating a safe and happy home. DiCamillo says she got the idea for the story after a close family friend gave birth to a daughter and was surrounded by love when she brought the baby home. .
She believes in the importance of being candid with kids about all the complexities of being human. “The world is a beautiful place. It’s a terrifying place. It’s a place filled with sorrow,” the author said. “But you also have to talk about the sad things, because you need to be able to find that in a book, because it makes you feel less alone.”
Reckoning with childhood
DiCamillo suffered trauma as a child growing up in Pennsylvania and Florida, and has only recently shared that her father was verbally abusive, manipulative, and threatening, creating a “terrifying” environment at home. She says therapy and some closure around her father’s death in 2019 have helped her heal.
Even labeling her experience as domestic abuse has taken time to process. “It’s the moment of reckoning for me to call it that. But I think it’s important,” she said. “It’s good that we can all talk about it, and somewhere in somebody’s classroom or somebody’s library, there’s a kid that is experiencing that now, and so we can give them, a safe place and a book.”
Connecting with kids and adults through her books has also led to this more secure place. DiCamillo says writing has helped her work through her emotions and “Ferris” is evidence of that.
Not just books for kids
Bestselling novelist Ann Patchett calls DiCamillo a “beautiful writer” and says once she discovered her books, she couldn’t put them down. “It’s her willingness to engage and her willingness always to talk about what kids need. We need to be read to, Patchett told the AP. “We need to have that community in literature so that we can also go off and have the experience by ourselves.”
DiCamillo had long admired Patchett before meeting her and now the two are close friends who read each other’s work in progress. “I call her Swiss Army Annie,” DiCamillo says with a smile. “Whatever it is that you need done, she knows how to do it. I go to her with all of my problems of being human and my problems of writing.”
Patchett says just because DiCamillo’s books are aimed at children, doesn’t mean adults should miss out. She often recommended DiCamillo’s books during the pandemic when people were having trouble concentrating. “I was like … read these books because you can have the whole experience of a giant, very important piece of American literature, but you can finish it in two hours. And people were incredibly comforted by that fact and by the books themselves.”
