Jane Schoenbrun might be the only contemporary filmmaker who fully captures the deep emotional truth of our screen-centric media moment. With their breakthrough film, 2021’s “We’re All Going to the World’s Fair,” Schoenbrun crafted a creepy, otherworldly fable set in an occult online game. But while other filmmakers try to make films about life on the internet using screens as objects to be looked at, in a Schoenbrun film, the screen stares back, gazing upon rapt viewers, whose mediated realities start to become a little bit blurry.
The title of their latest film, “I Saw the TV Glow,” speaks to this relationship between screen and self, the light from the tube television cast upon our characters, curled on a basement couch late at night, furtively watching something they’re not supposed to. The televisual text at the center of “I Saw the TV Glow” is the film’s central fascination and mystery; an object both feared and desired, and a means for individual identity creation and destruction.
The show that emits from the titular glowing set is called “The Pink Opaque” (the name is cribbed from a Cocteau Twins album, and it’s a sequence of words so uniquely pleasing to hear and pronounce that it becomes like a meditative mantra or trigger phrase). Shot in a ‘90s TV style, the show is about two camp friends who meet on a psychic plane in order to fight a villain called Mr. Melancholy and his various rubber-masked henchmen. It’s an homage to young adult horror shows like “Are You Afraid of the Dark?” and “Buffy the Vampire Slayer,” and in “I Saw the TV Glow” it’s both the content of the show and the characters’ relationship to it that drives the story.
“The Pink Opaque” brings together young Owen (Ian Foreman) and cool, freaky older girl Maddy (Brigette Lundy-Paine) during an election night polling station at their school. Owen sees Maddy reading an episode guide book and strikes up a conversation. Desperate to watch, he sneaks out to her house to catch a glimpse of the flickering, mysterious Saturday night program, the secretive mission making it all the more alluring. As Owen (Justice Smith) gets older, Maddy leaves him tapes of the show at school and guides him through teenage life in her own weird, slightly menacing way. She also introduces Owen to queerness, coming out by saying, “I like girls, you know that right?” When pressed with the same question, all Owen can admit is, “I think I like TV shows.”