The hazards of remaking a beloved film are well known. While the 1991 comedy “Don’t Tell Mom the Babysitter’s Dead,” starring Christina Applegate, didn’t exactly thrill critics 30 years ago, it’s become a cult classic, especially for elder millennials who grew up on the movie. It’s the ideal text for a remake — the source material isn’t regarded as untouchable, the name recognition is high, and it can be easily adaptable to a modern milieu while still stoking those childhood memories for those who love the original.
Nostalgia can be a trap, one that writer Chuck Hayward and director Wade Allain-Marcus fortunately sidestep in their remake. There are enough nods to the first film to please fans looking for those Easter eggs, but they don’t get in the way of the story itself, a teen comedy that keeps it real, despite the heightened circumstances. They also update the family from white to Black, which brings a new layer of stakes to the situation.
After their mother (Patricia “Ms. Pat” Williams) suffers a nervous breakdown at work, the Crandell siblings are left in the care of a Mrs. Sturak (June Squibb), a sweet old lady who reveals herself to be a nagging, racist, slut-shaming tyrant. In her advanced age, the wild rager that the kids throw in the house is too much for her to bear, and she (as the title suggests) drops dead from shock, or perhaps secondhand smoke. Hoping to evade authorities, the Crandell siblings get rid of her body — along with her purse filled with cash from mom.
Without wanting to disturb their mentally fragile mother, shipped off to a meditation retreat in Thailand, it’s up to big sis Tanya (Simone Joy Jones) to get a big-girl job and provide for her siblings. So much for a fun summer, she’s now learning the joys of a Los Angeles morning commute and cutthroat office politics at a fashion company called Libra. Meanwhile, her skater brother Kenny (Donielle T. Hansley Jr.) has to get his slacker act together to hold down the fort at home.